Volume 6 • Issue 2 • November 2019
Editors Yuan Xingpei and Zong-qi Cai
Table of Contents
Comparative Phonorhetorical Analyses of Speeches in the Zuo Commentary and the Discourses of the States
JEFFREY R. THARSEN
Genre Conflation and Fictional Religiosity in Guilian meng (Returning to the Lotus Dream)
Identities and Literary Culture in Qing China: Manchu Emperors as Chinese Poets, Readers, and Publishers
Playing Against Type: The Moral Merchant on the Early Qing Stage
Sending Flowers into the Mirror: Jinghua yuan as Metafiction
Facets of Chinese Culture
The Ancient Chinese Arts of the Ear: Etymology, Meteorology, Musicology
WANG XIAODUN and CASEY SCHOENBERGER
Tao Yuanming in Recently Unearthed Epitaphs from the Sui and Tang
HU KEXIAN and YUAN ZHANG
Zhang Yingyu. The Book of Swindles: Selections from a Late Ming Collection.Translated by Christopher Rea and Bruce Rusk. New York: Columbia University Press, 2017.
Rebecca Doran.Transgressive Typologies: Construction of Gender and Power in Early Tang China. Cambridge, MA: Harvard University Asia Center, 2016.
Joseph S. C. Lam, Shuen-fu Lin, Christian de Pee, and Martin Powers, eds. Senses of the City: Perceptions of Hangzhou and Southern Song China 1127-1279. Hong Kong: CUHK Press, 2017.
Elena Suet-ying Chiu. Bannerman Tales (Zidishu): Manchu Storytelling and Cultural Hybridity in the Qing Dynasty. Cambridge, MA: Harvard-Yenching Monograph Series 105, Harvard University Asia Center, 2018.
Xiaorong Li. The Poetics and Politics of Sensuality in China: The “Fragrant and Bedazzling” Movement (1600-1930). New York: Cambria University Press, 2019.