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Volume 6 • Issue 1 • April 2019
Special Issue Emotion and Visuality in Chinese Literature and Culture
Editors Zong-qi Cai and Shengqing Wu
Table of Contents
Introduction
ZONG-QI CAI & SHENGQING WU
Su Shi Renders No Emotion
PETER C. STURMAN
The Emotive Object in Medieval China
JEFFREY MOSER
Chen Hongshou’s Laments
ANNE BURKUS-CHASSON
What Remains of Mountains and Waters: Fragments, Mutilation, and Creation in Early Qing Literature and Culture
YINGZHI ZHAO
Image, Word, and Emotion: The Persistence of the Beautiful/Lovelorn Woman in the New-Style “Hundred Beauties” Albums (1900-1920s)
XIAORONG LI
Haunting, (In)Visibility, Filiality: Qiu Canzhi (1901-67) and Her Works of Mourning
HU YING
Nostalgic Fragments in the Thick of Things: Yuan Kewen (1890-1931) and the Act of Remembering
SHENGQING WU
