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Volume 6  •  Issue 1 •   April 2019

Special Issue Emotion and Visuality in Chinese Literature and Culture

Editors Zong-qi Cai and Shengqing Wu

Table of Contents

Introduction

ZONG-QI CAI & SHENGQING WU

Su Shi Renders No Emotion

PETER C. STURMAN

The Emotive Object in Medieval China

JEFFREY MOSER

Chen Hongshou’s Laments

ANNE BURKUS-CHASSON

What Remains of Mountains and Waters: Fragments, Mutilation, and Creation in Early Qing Literature and Culture

YINGZHI ZHAO

Image, Word, and Emotion: The Persistence of the Beautiful/Lovelorn Woman in the New-Style “Hundred Beauties” Albums (1900-1920s)

XIAORONG LI

Haunting, (In)Visibility, Filiality: Qiu Canzhi (1901-67) and Her Works of Mourning

HU YING

Nostalgic Fragments in the Thick of Things: Yuan Kewen (1890-1931) and the Act of Remembering

SHENGQING WU